The latest addition to the Rice Public Art collection — “Spirit” (1990) by Jesús Moroles — was unveiled May 3 in honor of the late university alum and ardent arts patron Raymond Brochstein ’55.
“RETURN,” a brand-new sound and light composition by electronic music composer Yvette Janine Jackson, is set to debut at the James Turrell “Twilight Epiphany” Skyspace on Rice’s campus the evening of March 3.
“Why is it that artists would be working in a very modern moment with a very historic material?” asked Alison Weaver, the Suzanne Deal Booth Executive Director of the Moody, in reference to the recently opened exhibition “Narrative Threads: Fiber Art Today,” which showcases 40 fiber-based artworks from 22 artists based across the globe.
A rare art collection featuring some of the most famous cartoon characters in American history has been acquired by Rice University’s Comic Art Teaching and Study Workshop (CATS) within the School of Humanities’ Department of Visual and Dramatic Arts.
The latest project led by noted Houston-based artist Deborah D.E.E.P. Mouton, former Houston poet laureate and current artist in residence at the Rice University Center for Engaged Research and Collaborative Learning (CERCL), opens to the public at the Moody Center for the Arts Oct. 27. An opening reception will take place at the Moody from 6 to 8 p.m. that evening.
Thanks to the work of esteemed Nigerian American abstract artist Odili Donald Odita, the once-bare walls of Alice Pratt Brown Hall are now bursting with color and light.
Neil “Sandy” Havens ’56, professor emeritus of art and art history whose passion for theater led him to become the first professional director of the Rice Players, died May 3. He was 88.
Local arts aficionados from the Rice community and the Houston area gathered at the Moody Center for the Arts on April 14 for the latest iteration of the “Dimensions Variable” programming series. This one-of-a-kind evening of experimental music and dance performances marked yet another unexpected interdisciplinary event during the Moody’s fifth anniversary year.
As the New York Times put it in a recent profile, artist Sue Coe “proudly labels her own work propaganda.” Coe’s “searing social-political art,” notes Times writer Hilarie Sheets, “can feel like a punch in the face or a call to action — or both.”
HOUSTON – (Oct. 6, 2020) – The tent-like structures serving as temporary classroom spaces at Rice University during the pandemic could have been left as they were built: tall, steel-framed, silvery-white facilities tucked behind a row of live oak trees near Hanszen College at the corner of College Way and Alumni Drive.