a spirit of conversation defined the two-day conference organized by Rice’s School of Humanities and Arts faculty Jacqueline Couti and Caroline Fache ahead of the 2026 World Cup.
In an era when classroom technology is often treated as synonymous with innovation, a small number of faculty in Rice’s School of Humanities and Arts are moving deliberately in the opposite direction.
The result of several years of collaboration among Rice’s creative writing faculty, the three-year graduate program will welcome its first cohort in fall 2026.
From Oct. 22-25, more than 500 scholars, artists and curators filled lecture halls and galleries from the Museum of Fine Arts, Houston to Project Row Houses, exploring how the arts shape the present moment and how cities like Houston can help define it.
“The Anniversary” has held the No. 1 spot on Italy’s charts for months; sales have passed 100,000 copies; and the book has become a cultural lightning rod.
Set in the heart of the city, the Rice Global Paris Center offers more than a space to teach. It’s a framework for courses that draw directly from Paris itself.
Held over three weeks this summer, the class was grounded in literature, philosophy and art history but used Paris itself as the primary teaching tool.
At Rice, senior Riya Misra found that studying the humanities wasn’t only about literature; it was about sharpening the essential tools for any storyteller.
For fall 2025, professor Kiese Laymon is breaking new ground with a course that centers on the beef between Lamar and Drake, a cultural moment that’s still reverberating in real time.
Humanities disciplines, especially medical humanities, shouldn’t just be consulted at the end of the development pipeline when systems are being evaluated for bias or misuse.