The Shepherd School of Music at Rice University drew a strong crowd Feb. 1 for “Inside Look: Modern American Operas,” an exploration of two contemporary comic operas that blended performance with behind-the-scenes storytelling.
Led by stage director and Aleko Endowed Artist Paul Curran, the program featured the world premiere of “A Joint Interest,” a 50th anniversary commission by Karim Al-Zand, alongside scenes from William Bolcom’s “Lucrezia.” Al-Zand spoke briefly before his piece, sharing insights into his creative process and his intent to write a comedy. The result landed squarely with audiences as “A Joint Interest” was met with frequent laughter and an enthusiastic response.
The event also marked the first time the Shepherd School Chamber Players performed alongside opera students for the school’s annual “scenes” program, which is typically accompanied by piano. The expanded collaboration between vocalists and instrumentalists offered a meaningful addition to their musical training.
Curran served as emcee throughout the afternoon, guiding audiences through the program, offering perspective on the complexities of operatic production and providing narrative context between the featured Bolcom scenes. Conductor Miguel Harth-Bedoya joined Curran in conversation, contributing commentary from the pit and previewing his upcoming preshow talks for “Falstaff.”
Faculty members also underscored the significant technical demands of both works, highlighting the level of preparation required for singers and instrumentalists alike to bring these contemporary operas to life.
The Shepherd School’s 50th anniversary commissions are supported in part by Rice’s Office of Research.
